8 March 2010

The black subtraction experiment

One of the most satisfying projects from craft weekend was my black subtraction tunic- a highly experimental sewing exercise, with the very last of my black stretch knit stash. So inspiring and satisfying I thought I'd share a bit more about it here.
 Subtraction experiment Subtraction experiment
The basic design process is Julian Roberts' Subtraction Cutting technique- you used to be able to get a free mini-book on his techniques from his website, but sadly no more-you can see a few images there, but you have to invest in his book, or a personal masterclass to find out much more. Or have a friend who printed it in the past (lucky me!). Julian presents the idea that a garment is essentially a flexible tube for passing your body though, and so long as you maintain a tube large enough (and long enough) for your body to pass through, you can fold and cut and twist and sculpt that tube (or tubes) in a myriad of ways- ways that truly bend your mind until you've actually done the exercise- cut and twisted and seamed and slipped into (and perhaps even for a little while after).
Subtraction experiment
As this was a total experiment I used some cheap and stretchy (ie forgiving) black (also forgiving) fabric. I had about 1.5m left on the roll, some of which had holes and flaws I needed to work around. I cut out the shoulders and neckline as per my personalised cap sleeve T pattern (with slightly longer arms) and sewed some slightly free-form side seams to create a wearable tube.
Subtraction experiment
Then I assessed the holes and flaws, and cut two new larger holes- big enough for my body to pass through- where some of the flaws were. They were sort of squished blobs to conserve length, instead of the circles Julian shows in his patterns.
Subtraction experiment
Then I folded the fabric to bring the new holes together, and sewed them together, to pull up the fabric and create some new options for how my body could pass through from top to bottom.
 Subtraction experiment
I also had a minor freakout that this was somehow going to not work, but I got over that and tried it on. And then tried it on a different way, and then another way (at times like this is it very helpful to be surrounded by a gaggle of creative clothes making buddies), until we found a way that worked- passing only part one arm and my head through the new holes, so I had an extra new shoulder strap which pulled the fabric up with some lovely draping.
Subtraction experiment
I then proceeded to hack at the hemline to make it a suitable length for pulling on over trousers to wear to work, and finished all the hem edges on the overlocker.
A highly satisfying, fun, liberating and quick, experiment!

13 comments:

  1. Very impressed!  Sizue told me about the subtraction method.  I may need to give it a go.

    ReplyDelete
  2. Good to see the notes were put to good use.  Great result!

    ReplyDelete
  3. and for those of us who were not creative garment sewers, it all seemed like magic.....with lots of crazy discussions about which hole you had to get into...The result is inspiring!

    ReplyDelete
  4. cool! what a great post man!

    love, fiftyseven
    p577.wordpress.com

    ReplyDelete
  5. oh, i really LOVE this!  it's stunning di,and i can understand the liberating feeling of working like that.  very inspiring.

    ReplyDelete
  6. This is really really cool and smart!! Very well done, Di!!

    ReplyDelete
  7. thank you for sharing your sketches and process, di.
    like you, i cannot wait to work through this process more - intriguing, experimental and SO fun.

    ReplyDelete
  8. Thank you all!

    ReplyDelete
  9. <span>Hi Clementine. Great things you do. I also love the dress you made. I find some explanations about Julian's method, and I try to make something of my fabric...I cut holes, i saws holes, I unsaw what I did, try to jump in my bag dress, unsaw it again...well in fact I find it hard for a normal person like me to understand the technique...You say you were lucky that someone gave you some free explanation...would you be so kind to send me also the "how to do it"??? I also have the magic pattern books(in japanese of course)...Why do I love complications???I can saw "normal" pattern, but I love so much those ununderstanding patterns...as you see, my english is not as good as my french( of course, I am french). So even english can make me ask myself ...what's that???Really I find it great that persons from somewhere else in the world love the same things, and can communicate through blogs...I am new,in using blog....Have a great day; Bye</span>

    ReplyDelete
  10. Hi gudule26- sorry I don't have your email address so can't reply to you directly (I really need to get a new commenting system...) A friend gave me a print of the many pages that Julian used to provide on hiis website, but you can also find out about it by buying his book here: http://www.centerforpatterndesign.com/products/SCHOOL-OF-SUBTRACTION-CUTTING-by-Jullian-Roberts.html
    I love the Japanese books because they have so many drawings and diagrams- visual clues so you don't need great english (or Japanese!) to learn from them.
    Happy experimenting, and exploring the many blogs out there!

    ReplyDelete
  11. I am absolutely smitten by this theory Di after discussing it again on the weekend, and have spent most of the day trawling the wen looking at possibilities.  Love what you did.  love it!  I may have to buy that book....

    ReplyDelete
  12. These look amazing! would u be able to maybe scan (or even photograph) these print offs? b'kuz that would be amazing =D

    ReplyDelete
  13. Eternity- I believe you can buy it directly from Julian Roberts website: http://www.centerforpatterndesign.com/products/SCHOOL-OF-SUBTRACTION-CUTTING-by-Jullian-Roberts.html

    ReplyDelete